A great deal has been written about the practice of running, a restorative movement with ability for therapeutic unburdening. In the sphere of competitive games, though, the pressure of competition can lead athletes to forget of this ultimate goal. Transposed from the eponymous manga, Kenji Iwaisawa’s enthralling anime goes past trophies and medals to examine the inner motivation that drives an competitor’s aspiration.
The Sprint Story traces Togashi and Komiya, childhood friends whose life paths separate when they go pro. Once the fastest grade-schooler in Japan, Togashi helps the less self-assured Komiya with the basics. As the pair move through their teens and their 20s, Komiya progressively advances up the leaderboard of premier sportspeople, while Togashi is mired in a rut; both confront anxieties and insecurities. Covering more than 15 years, the tale tracks their psychological barriers, exposing the challenges of an competitor’s existence, trapped in a pattern of media attention, performance expectations and sponsorship demands.
Perhaps it’s because of the base story, but the movie’s approach to these complex dilemmas is a bit simplistic; repeatedly, a character’s inner doubts quickly dissolve after a extended discussion with a colleague or elder. But what the anime falls short in narrative subtlety and pacing, it makes up for in stunning imagery. Using trace-over animation, in which drawn art is superimposed on live-action footage, the movie creates stunningly detailed sprinting scenes. The bodily strain of a dash is visibly evident, and the suffering and elation of rivalry are engraved on the characters’ bodies.
One particularly momentous race finishes in the storm, with sheets of monochrome brushwork that immerse the scene. Beyond spoken words, these flourishes of stylistic brilliance embody the quasi-enlightened elation the film aims to evoke.
The 100-Meter Anime is in UK cinemas from the 16th of November.
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